Owning The Void emphasizes the importance of women claiming their own physical and visible space. The book focuses on monumental (post-)minimalist and non-figurative sculptures that show the legacy of a feminine voice in a male dominated tradition. The book can be considered to be an archive of (post-)minimalist and non-figurative sculptural works that have been created by women. The majority of these selected sculptures have been created during the late sixties and seventies coinciding with the rise of the women’s rights movement and the second wave of Feminism. 


Illustration for De Gids, essay Ruimtelijk en meervoudig. Over het Chinese vertellen by Mark Leenhouts.
Two illustrations for De Gids, essay Alleen de mens bakt brood by Louise O. Fresco.
In de wachtrij, contribution for Nieuwe Nieuwsmarkt, Issue 1: Housing Struggle. 

Soapbox Journal for Cultural Analysis designed in collaboration with Luca Putz. In Lieu for an Ending: Impasse (2022), Interface (2023).


The Bread Oven, is a continuation of the work done by Rietveld alumni, Johannes Reisgl, Florian Lutz and Jakob Krinz who built the oven in 2019. The collaborative project was reactivated with Martina Vanini, Mélanie Cot, Mila Landreau and Natalia Ruhe (2021—2022), and later in collaboration with Elisabeth Verveck, Finn Overdevest, Mara Thogersen and Yasemin Surek (2022—2023). The Bread Oven has been supported by the Rietveld Student Council and Extra Intra.